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© 2026 Wyatt Fleming

Selected photographs

Where the light was worth the walk

34 frames from a decade of shooting — slot canyons in Zion, the Nā Pali coast, redwood understory on the Central Coast, and whatever was growing in the backyard. Shot on Sony, developed in Lightroom.

Mushroom-shaped sea rock with the sun cresting its edge into a clean sunstar — Sea rock at sundownCrystal Cove, California · 2020

Deep slot of the Narrows with the river running out of shadow toward a lit wall high above — The NarrowsZion, Utah · 2021

Lone dark figure standing on the wet sand against the sun's shimmering path on the water. The person reads purely as form and scale inside the seascape — Low sunCrystal Cove, California · 2020

Lone umbrella-crowned tree on a coastal dune with the surf line and cumulus behind it — North shoreKauai, Hawaii · 2022

Dripping spring with maidenhair fern and falling water strands frozen against dark rock — Hanging gardenThe Narrows, Utah · 2021

Best canopy frame in the batch: redwoods radiating from a central vanishing point with backlit crowns, clean and dramatic — CanopyRoaring Camp, California · 2019

Twin-track grass road runs straight into the spired Makana ridge — Makana ridgeLimahuli, Hawaii · 2022

Tight study of golden cross-bedded Navajo sandstone — Cross-bedded sandstoneAngels Landing, Utah · 2021

Lone hiker mid-river in the slot canyon, rim-lit against dark walls with sunlit water swirling in the foreground. The figure reads as form rather than a recognizable face, and the canyon dwarfs him — Wading the slotThe Narrows, Utah · 2021

Weathered driftwood stump as a sculptural subject on warm-lit sand, with the surf line curving away behind it — DriftwoodKauai, Hawaii · 2022

Golden low sun raking a lichen-covered sea rock with a shorebird perched on the crest — Seabird on the stackCrystal Cove, California · 2020

Dark framing walls open onto a sunlit fluted cliff mirrored in a still pool — Reflected wallThe Narrows, Utah · 2021

Top-down botanical macro with striking radial symmetry — Winter rosetteCalifornia · 2020

Sawtooth ridge with mist pooling at its base and towering cumulus, real drama rather than another flat coastline — Na PaliKauai, Hawaii · 2022

Best of the palm sunsets: sun dropping into a cloud band above a visible ocean horizon, palms framing both edges, clean layering — Palms at sundownOceanfront Park, California · 2026

Corridor of hoodoo walls closing in on both sides, warm reflected light on the sandstone, clear sense of place — Hoodoo corridorBryce Canyon, Utah · 2021

Backlit figure walking a dirt path at low sun, reading as silhouette and long cast shadow rather than as an identifiable face, with the bare tree and hillside framing her. Person used as scale and form inside a landscape — Long shadowAliso Creek, California · 2018

Stacked lo'i terraces read as pure graphic banding, cleanest and most abstract of the terrace frames — Lo’i terracesLimahuli, Hawaii · 2022

Backlit fern fronds glowing against a dark forest floor — Forest floorHenry Cowell, California · 2018

Sea arch punched through the lithified headland, naupaka green sweeping in as foreground — Sea archMaha’ulepu, Hawaii · 2022

Tight macro of a honeybee swarm on a branch — SwarmCalifornia · 2021

Gnarled exposed root system gripping slickrock — Juniper rootsAngels Landing, Utah · 2021

Woman walking away along a curving rail line toward a steel trestle, framed left by a massive redwood trunk. Back turned so she reads as form, the orange skirt the single warm accent in a green-grey forest, and the track curve carries the eye into depth. Soft even forest light, no expression risk. The strongest human-in-landscape frame in this batch — The lineRoaring Camp, California · 2019

Hawaiian monk seal hauled out on sand, raking side light picking out the wet hide against dune texture — Hawaiian monk sealKauai, Hawaii · 2022

Windswept bare tree silhouetted against a flat ocean horizon — WindsweptBadlands, California · 2022

Looking straight up into frost-rimed pine crowns radiating against deep cobalt sky — First snowBig Bear, California · 2021

Rail line curving into a dark redwood corridor toward a lit opening — Rail into the redwoodsRoaring Camp, California · 2019

Disciplined minimal sunset: sun sitting on the horizon, a single cloud band, and a dark reef ledge anchoring the bottom third — Last lightKauai, Hawaii · 2022

Steller's jay cleanly isolated on a bare branch against pale sky with soft pine bokeh and generous negative space — Steller’s jayBig Bear, California · 2021

Backlit autumn vineyard rows converging to a low sun, leafy branch framing the top corner and a hill closing the right edge — Vineyard rowsSan Luis Obispo, California · 2021

Open mussel shell on wet sand in raking light with a long cast shadow — Mussel shellSanta Cruz, California · 2019

Best color frame of the set — Bluff bloomLaguna Beach, California · 2026

The best straight portrait in the batch: sharp on the eyes, warm open smile that is flattering rather than mid-laugh, golden late-light bokeh of redwoods behind, and the magenta robe separating cleanly from the background. Chosen over 0087 from the same sitting, which has a weaker expression and a cluttered deck behind her — PortraitSanta Cruz, California · 2018

Dappled woodland trail curving into a luminous green tunnel, dark trees framing both edges — Green tunnelCalifornia · 2019